The Religion ExhibitThe Lost Museum Archive
Alongside its live animals, human curiosities, scientific specimens, and assorted oddities, the American Museum displayed a number of religiously themed exhibits. Visitors could peruse waxwork figures arranged in tableaux of biblical scenes such as the Last Supper and “The Birth and The Trial of Christ,” ponder a cosmoramic view of Jerusalem, and consider a carved figure of “Christ on the Cross.” While making up a small number of the museum’s overall exhibits, those on religious themes helped Barnum to promote the American Museum as a place where respectable middle-class families could feel comfortable. Despite the large influx of Irish Catholic immigrants into New York City beginning in the 1840s and the consistent presence of a Jewish minority, Protestant Christianity governed the museum’s displays of religious imagery and themes. The American Museum’s 1850 guidebook articulated this assumption of Christian superiority when it summarized a number of its exhibits, both familiar and exotic: “The necessity, too, which the human mind is under of having some object of veneration or worship, is equally exemplified. From nations varying in mere doctrinal points, we have evidences of their faith in the pure doctrines of Christianity; from those to whom the living truths of that religion have not been brought, we have as well, tokens of their cognizance of some spirit or essence in the universe, better than themselves; and that very recognition, however unskillfully it may be expressed, or however grotesque may be its forms and symbols, encourages the hope that all may yet be brought to the true belief.”